General
Complete name : he.World.To.Come.2020.mp4
Format : MPEG-4
Format profile : Base Media
Codec ID : isom (isom/iso2/avc1/mp41)
File size : 1.93 GiB
Duration : 1 h 44 min
Overall bit rate : 2 641 kb/s
Frame rate : 23.976 FPS
Writing application : Lavf58.67.100
Audio
ID : 2
Format : AAC LC
Format/Info : Advanced Audio Codec Low Complexity
Codec ID : mp4a-40-2
Duration : 1 h 44 min
Source duration : 1 h 44 min
Bit rate mode : Constant
Bit rate : 384 kb/s
Channel(s) : 6 channels
Channel layout : C L R Ls Rs LFE
Sampling rate : 48.0 kHz
Frame rate : 46.875 FPS (1024 SPF)
Compression mode : Lossy
Stream size : 288 MiB (15%)
Source stream size : 288 MiB (15%)
Default : Yes
Alternate group : 1
mdhd_Duration : 6283776
Quote:
Drama / Romantický
USA, 2020, 98 min (Alternativní 101 min)
Režie: Mona Fastvold
Quote:
Milostný příběh z dílny režisérky Mony Fastvoldové a scenáristů Jima Sheparda a Rona Hansena se odehrává na severovýchodě Ameriky v 19. století a sleduje čtveřici postav, která bojuje nejen s přírodními živly, ale také s trýznivou izolací. Farmářova žena Abigail (Katherine Waterstonová) a její nová sousedka Tallie (Vanessa Kirbyová) se navzájem nesmírně přitahují. Truchlící Abigail se stará o svého samotářského manžela Dyera (Casey Affleck), zatímco svobodomyslná Tallie je sužována majetnickým chováním žárlivého muže Finneyho (Christopher Abbott). Důvěrné pouto, které se mezi oběma ženami vytvoří, vyplňuje prázdnotu v jejich osamělých životech. Dokáží intenzivní mezilidské vztahy překonat izolaci?
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Zvláštny film. Zo začiatku to vyzerá, že chce čo najrýchlejšie prejsť k lesbickej scéne, tá ale neprichádza. Fyzickej stránke je venované minimum priestoru, viac sa film venuje akejsi potrebe byť spolu, prekonať ťažké časy. Scenár zaujímajú úplne iné veci, ako by človek v queer-ovke (resp. romanci) očakával. Ide si pomaly a potichu, prežíva. Rovnako záverečné emócie fungujú utlmene, viac pre postavy, ako divákovi. Drámu prechádza mimo reči. Reč používa knižnú. Tým neustálym šepotom mi pripomínal Malicka. Film je to ozaj nedivácky, na rozdiel od posledných, dobových - omnoho ambicióznejších, zakázaných lesbických lások, nad ním ale ide aj premýšlať, nie len sa kochať. Každopádne, odpad tomu može dať iba idiot.
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anguish as a way of life
Greetings again from the darkness. I'd be hard-pressed to name a movie that is more somber, front beginning to end, than this film from director Mona Fastvold (writer of VOX Lux, 2018) and co-writers Ron Hansen (THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD, 2017) and Jim Shepard (based on his short story). Allowing only a few sparks of hope in the second act, the film's ending finds us nearly as beaten down as the four main characters we've just watched.
Structured as though Abigail (Katherine Waterston) is reading her own journal entries as they play out in real life, the film captures the brutal conditions of working a hillside farm in upstate New York during 1856. But more than that, it conveys the price of a joyless existence on the frontier, when days were spent adhering to chores. For everyone, this meant little social interaction; and for women this meant cooking, cleaning, and giving birth. Abigail mesmerizes with her balletic poetry in describing the drudgery of her life and marriage to Dyer (Casey Affleck). Dyer is a sullen man who says little, but remains dutiful in his responsibilities. He is attuned enough to allow Abigail her space after diphtheria claims their young daughter ... though he seems mostly unchanged by the tragedy.
Abigail's emptiness and unrequited quest for meaning seem her destiny until the day that new arrivals rent the next farm over. As Finney (Christopher Abbott) guides the wagon by, Abigail and Tallie (Vanessa Kirby) lock eyes, signaling to them (and us) that life on the frontier is about to become more exciting than collecting that day's eggs from the chicken coup. This moment arrives mere weeks after Abigail as narrator has informed us, "With little pride and less hope, we begin the new year." And just like that, she has hope.
The two women begin to spend days together building a connection first borne from isolation and loneliness, and soon growing into a true relationship. Dyer deals with his wife's affinity for the new girl with a nonchalance that masks his agitation. Finney, on the other hand, is a quietly simmering man of anger that wreaks of a violent nature just below the surface. These are combustible elements in a world where this type of relationship between women is simply not discussed or admitted.
We witness the beginning, middle, and end of the relationship between Abigail and Tallie. We see how each lights up around the other ... although Tallie's well-coiffed auburn hair always seems out of place in an environment where showers and shampoo would be scarce. It's really Abigail's narration and lyrical use of language that propels the story, and as lovely as her words are, the actual pacing of the film is a bit slow at times. Of course, that corresponds to the oppressive bleakness of this world, adding to the challenge for viewers.
The four lead performances are all terrific. The two men have less screen time and certainly less dialogue, but we never once doubt where they stand. Ms. Waterston has been a standout with her work over the past few years, and Ms. Kirby recently posted one of last year's finest performances in PIECES OF A WOMAN. She's clearly a star in the making. Composer Daniel Blumberg's work is a good fit, and cinematographer Andre Chemetoff works wonders with the muted color palette. Bucharest is the stand in for 19th century upstate New York, allowing us to see the harshness. Period lesbian romances are rare, though this is the third in a short period of time along with AMMONITE (2020) and PORTRAIT OF A LADY ON FIRE (2019).
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My constitutional right is to enjoy when a see a picture of beautiful woman. Ignore my posts, they are full of women. Leave women to me and enjoy man company. I will not comment pictures of men you will post. I have no right to do that. Your choice to prefer men to women does no harm to me.
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>> 21/06/2023 08.41.38 des02: LGBT pry toho má 700gb
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>> 21/06/2023 09.37.52 Dungeon: To uz je i tady LGBT propaganda? Neber to uploadere osobne, ale bez stim uz nekam. Tohle uz je jak spam, denne tady nahozenych minimalne 10 filmu, ktery stejne nikoho nezajimaj. Kdyby me to zajimalo, tak si predplatim NEtflix
Na serveru se nenalézají zádne soubory.
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Neber to uploadere osobne, ale bez stim uz nekam. Tohle uz je jak spam, denne tady nahozenych minimalne 10 filmu, ktery stejne nikoho nezajimaj. Kdyby me to zajimalo, tak si predplatim NEtflix 